Dir. Andrew Stanton, McKenna Harris, 2026
Runtime: 102 mins
Language: English
The toys are back in Disney and Pixar’s “Toy Story 5,†and this time around it’s Toy meets Tech. Buzz, Woody, Jessie and the rest of the gang’s jobs get exponentially harder when they go head to head with this all-new threat to playtime.
Screenings
Sunday 9 August, 10.30am
Sunday 16 August, 12.30pm (Relaxed Viewing)
Tuesday 25 August, 10.30am
Saturday 29 August, 10.30am
Dir. Tina Gharavi, 2026
Runtime: 95 mins
Language: English
Based on Virginia Woolf’s funniest novel, Night & Day is an un-romantic comedy about the passionate astronomer, Katharine Hilbery who does everything she can to avoid romantic love and marriage. Her bold challenge to Edwardian patriarchy is set against the suffragette movement and advances in science and technology. Fun and contemporary in tone, this refreshing film showcases a star-studded ensemble of humorous performances.
Screenings
Friday 24 July, 4.30pm
Saturday 25 July, 2.00pm
Saturday 25 July, 7.00pm
Sunday 26 July, 3.10pm
Wednesday 29 July, 3.10pm
Dir. Pauline Loques, 2026
Runtime: 97 mins
Language: French, w/ English Subtitles
Nino, a young man, explores the streets of Paris to reconnect with the world and himself, after being diagnosed with cancer.
Screening
Friday 17 July, 7.20pm
Saturday 18 July, 4.10pm
Sunday 19 July, 12.40pm
Dir. Baz Luhrmann, 2026
Runtime: 94 mins
Language:
Now in dazzling 4K for the first time, Baz Luhrmann’s iconic debut feature follows Scott Hastings (Paul Mercurio), a male dancer who refuses to follow the accepted rules of ballroom dancing and creates his own style of choreography, infuriating the ballroom dancing establishment. Before he’s scheduled to compete in the championships, he’s forced to take up a new partner (Tara Morice), a beginner who initially seems without promise. With his help, she turns into an assured and wonderful dancer.
Part mockumentary, part fairytale, Strictly Ballroom is one of the most popular Australian films ever made and kicks off Luhrmann’s incredible “”Red Curtain Trilogy””.
Screening
Saturday 18 July, 2.00pm
Tuesday 21 July, 7.00pm
Dir. Sarah Friedland, 2026
Runtime: 92 mins
Language: English
An octogenarian woman transitions to life in assisted living as she contends with her conflicting relationship to herself and her caregivers amidst her shifting memory, age identity, and desires.
Screening
Sunday 26 July, 1.00pm
Tuesday 28 July, 7.00pm
Thursday 30 July, 3.10pm
Dir. Steven Spielberg, 2026
Runtime: 145 mins
Language: English
If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? The truth belongs to seven billion people. We are coming close to … Disclosure Day.
Screening
Saturday 18 July, 6.30pm
Sunday 19 July, 2.50pm
Thursday 23 July, 2.50pm
Dir. Olivia Wilde, 2026
Runtime: 107 mins
Language: English
A couple invites the neighbours over for cocktails, igniting an evening full of unexpected twists and turns, revealing deeply repressed emotions and unexplored sexuality.
Screening
Friday 31 July, 7.15pm
Saturday 1 August, 4.30pm
Sunday 2 August, 12.40pm
Tuesday 4 August, 5.00pm
Friday 7 August, 2.00pm
Saturday 8 August, 4.10pm
Sunday 9 August, 1.00pm
Dir. Rohan Parashuram Kanawade, 2026
Runtime: 113 mins
Language: Marathi, w/English Subtitles
Anand, a 30-something city dweller compelled to spend a 10-day mourning period for his father in the rugged countryside of western India, tenderly bonds with a local farmer struggling to stay unmarried.
Screening
Friday 24 July, 7.00pm
Saturday 25 July, 4.30pm
Tuesday 28 July, 4.30pm
Dir. Sean Dunn, 2026
Runtime: 95 mins
Language: English
Kenneth works as a tour guide dressing up as the town’s most notable historical figure, Sir Douglas Weatherford, who Kenneth proudly claims as his ancestor. When the village becomes the base of a big-budget fantasy TV show, his obsession with the show’s lead actor fuels a tragic downward spiral.
Screening
Tuesday 14 July, 4.30pm
Friday 17 July, 10.30am (Silver Screenings)
Friday 17 July, 5.00pm
Dir. Pete Ohs, 2026
Runtime: 71mins
Language: English
Screening
Tuesday 14 July, 7.00pm
Wednesday 15 July, 10.30am (Silver Screenings)
Friday 17 July, 2.00pm
Runtime: 90 mins
In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet.
Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake†and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings “arrangements”, “harmonies” and “nocturnes”, emphasizing the importance of tonal harmony in his work. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art.
Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed.
Screening
Tuesday 15 September, 7.00pm
Thursday 17 September, 2.00pm
Saturday 19 September, 7.00pm
Dir. Netia Jones
Runtime: 210 mins
Language: Italian
Spurred on by a bet, two young men hatch a plan to test the fidelity of their girlfriends. What follows is a slippery game of seduction and power, the four lovers plunging into a dizzying world of shifting reality, where truth becomes increasingly unstable.
Così fan tutte has lost none of its sting since it first scandalised audiences in 1790. In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera.
Screening
Sunday 28 February, 2.00pm